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This catalogue documents an exhibition at the Kelsey Museum of Archaeology on the mysterious ancient Egyptian jackal-headed gods associated with death and the afterlife. These gods are immediately identifiable symbols of ancient Egypt, but their specific identities and roles are often less well known. Death Dogs is the first exhibition to examine their mysteries. The exhibition and catalogue focus on the three most important jackal gods: Anubis (embalmer and guide to the dead), Wepwawet (opener of the ways to the afterlife) and Duamutef (son of Horus, protector of the canopic jar). 00Exhibition: Kelsey Museum of Archaeology, Ann Arbor, USA (06.02.-03.05.2015)

Gods, Egyptian --- Jackals --- Future life --- Afterlife --- Eternal life --- Life, Future --- Life after death --- Eschatology --- Eternity --- Immortality --- Near-death experiences --- Egyptian gods --- Religious aspects --- E-books --- Exhibitions

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Hamlet (Legendary character) --- Kings and rulers --- Murder victims' families --- Fathers --- Revenge --- Princes --- Succession --- Death --- Drama --- Shakespeare, William, --- Stage history --- Denmark --- Hamlet (Legendary character) - Drama --- Kings and rulers - Succession - Drama --- Murder victims' families - Drama --- Fathers - Death - Drama --- Revenge - Drama --- Princes - Drama --- Princes - Denmark - Drama --- Fathers - Death --- Kings and rulers - Succession --- Shakespeare, William, - 1564-1616 - Hamlet --- Shakespeare, William, - 1564-1616 - Stage history --- Denmark - Drama --- Shakespeare, William, - 1564-1616

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Cet admirable essai de Jean-Christophe Bailly se présente comme une tentative d’interprétation des portraits du Fayoum au regard de la confluence dont ils sont l’unique témoignage : si ceux-ci émanent bien d’un type de figuration réaliste et mimétique, s’ils appartiennent comme tels à la formation d’un statut de l’image en Occident, l’incorporation de ces portraits dans des sarcophages les situe également dans la filiation des rites funéraires égyptiens. Cette confluence interroge la relation fondatrice du portrait à la mort et permet à Jean-Christophe Bailly de sonder les liens féconds attachant le figurable et le périssable. Ainsi, c’est à la fois la spécificité de ces portraits et leur situation dans l’ensemble de l’art et de la pensée antique qui sont explorées dans cet ouvrage, en relation étroite avec le monde composite de l’Égypte romaine. Si l’érudition dont Jean-Christophe Bailly fait preuve est impressionnante, cet ouvrage est beaucoup plus qu’une simple approche scientifique. Est-il possible de ne pas prendre en considération que ces portraits étaient incorporés dans des sarcophages ? Qu’ils entretiennent un rapport étroit et presque intime avec la mort ? Qu’ils furent peints, du vivant de leur modèle, pour les accompagner dans l’au-delà ?

Mummy portraits --- Death in art --- Portraits du Fayoum --- Mort dans l'art --- Portraits, Roman --- Portrait --- Antiquité égyptienne --- Iconographie --- Symbolique --- Sacré --- #GGSB: Esthetica --- Roman portraits --- Fayum portraits --- Portraits, Ancient --- Death in art. --- Esthetica --- CDL --- 75.032 --- Mummy portraits - Egypt --- Portraits, Roman - Egypt --- Portraits du fayoum --- Portraits romains --- Visage --- Egypte --- Dans l'art

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Death notices --- Obituaries --- Abbeys --- Nécrologies --- Abbayes --- Huy (Belgium). --- Abbaye de Neufmoustier --- Huy (Belgium) --- Huy (Belgique) --- Church history --- Sources --- Histoire religieuse --- Christian church history --- Manuscripts. Epigraphy. Paleography --- History of Belgium and Luxembourg --- anno 1100-1199 --- anno 1200-1799 --- Huy --- Nécrologies

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Bereavement in literature --- Death in literature --- Dood --- Dood in de literatuur --- Mort --- Mort dans la littérature --- Sterfte in de literatuur --- Death --- Religious aspects --- Catholic Church --- Aspect religieux --- Eglise catholique --- John Chrysostom, --- Christianity --- History of doctrines --- -Death --- Dying --- End of life --- Life --- Terminal care --- Terminally ill --- Thanatology --- -Christianity --- -History of doctrrines --- -Religious aspects --- -History --- Philosophy --- John Chrysostom Saint --- -Contributions in concept of death --- Aranyszájú, János, --- Chrysostom, John, --- Chrysostomo, João, --- Chrysostomos, Iō. --- Chrysostomos, Johannes, --- Chrysostomus, Joannes, --- Crisostomo, Giovanni, --- Crisostomo, Juan, --- Crisostomus, Ioannes, --- Giovanni Boccadoro, --- Giovanni Crisostomo, --- Hōhan Oskiaban, --- Hovhan Oskeberan, --- Hovhannēs Oskeberan, --- Iō. --- Ioan Gură de Aur, --- Ioan Zlatoust, --- Ioann Zlatoust, --- Ioannes Crisostomus, --- Iōannēs ho Chrysostomos, --- Ivan Zolotoustyĭ, --- Jan Chryzostom, --- Ján Zlatoústy, --- Jean Bouche d'Or, --- Jean Chrysostome, --- Jehan Bouche d'Or, --- Joan Gojarti, --- Joannes Chrysostomus, --- Joannes Crisostomus, --- João Chrysostomo, --- Johannes Chrysostomus, --- Johannes Goldmund, --- John, --- Jovan Zlatoust, --- Juan Crisóstomo, --- Pseudo-Chrysostome, --- Pseudochrysostomus, --- Yoḥanes ʼAfa Warq, --- Yūḥannā al-Dhahabī al-Fam, --- Yūḥannā al-Fam al-Dhahabī, --- Yūḥannā Fam al-Dhahab, --- Zlatoust, Ioan, --- Zlatoust, Jovan, --- Zlatoústy, Ján, --- Ἰωάννης, --- Іван Золотоустий, --- يوحنا الذهبي الفم --- يوحنا فم الذهب، --- John Chrysostom --- Style [Literary ] --- Catholic Church. --- Death - Religious aspects - Christianity - History of doctrines - Early church, ca. 30-600. --- Jean Chrysostome, saint --- Jean chrysostome (saint), docteur de l'eglise, 349?-407 --- Critique et interpretation